{"id":9840,"date":"2022-02-17T10:17:11","date_gmt":"2022-02-17T09:17:11","guid":{"rendered":"https:\/\/v1.chroniques.org\/?page_id=9840"},"modified":"2023-07-28T11:24:20","modified_gmt":"2023-07-28T09:24:20","slug":"the-platform","status":"publish","type":"page","link":"https:\/\/v1.chroniques.org\/en\/the-platform\/","title":{"rendered":"The platform"},"content":{"rendered":"\n
\n
Go back to CHRONIQUES Creations<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

the plateform<\/h1>\n\n\n\n
\n
\n

The CHRONIQUES CREATIONS platform brings together operators from various fields of culture (visual arts, performing arts, music, audiovisual, virtual reality, etc.) who are committed to supporting artists who use and question new digital technologies. <\/p>\n\n\n\n

This commitment and this collective work allow a certain agility in the accompaniment of the works for which we think about the ecosystem of the projects with a touring plan sustainable by the partner places.<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

\n
T\u00e9l\u00e9chargement catalogue 2018<\/a><\/div>\n<\/div>\n\n\n\n
\n
T\u00e9l\u00e9chargement catalogue 2020<\/a><\/div>\n<\/div>\n\n\n\n
\n
T\u00e9l\u00e9chargement catalogue 2022<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\n

The platform’s co-producers: <\/strong><\/p>\n\n\n\n

3 bis f – Centre d’arts contemporains d\u2019int\u00e9r\u00eat national<\/a>,<\/a>
6MIC<\/a>,
A.<\/a>M.I Aide aux Musiques Innovatrices<\/a>,<\/a>
Centre Franco-Allemand de Provence<\/a>,<\/a>
Ch\u00e2teauvallon-Libert\u00e9 – Sc\u00e8ne nationale<\/a>,<\/a>
EDIS – Fonds de dotation<\/a> \/ Le Grenier \u00e0 Sel<\/a>,
Fabbula<\/a>,<\/a>
GMEM Centre national de\u202fcr\u00e9ation musicale<\/a>,<\/a>
KLAP Maison pour la danse<\/a>,<\/a>
La Fruiti\u00e8re Num\u00e9rique<\/a>,<\/a>
Le Hublot<\/a>,<\/a>
Lieux Publics – Centre national et p\u00f4le europ\u00e9en de cr\u00e9ation pour l\u2019espace public<\/a>,<\/a>
Sc\u00e8ne 44 . n + n corsino<\/a>,<\/a>
Voyons voir<\/a>,
Centre d\u2019art de Chateauvert,
Th\u00e9\u00e2tre Massalia – Sc\u00e8ne conventionn\u00e9e d’int\u00e9r\u00eat national Art Enfance Jeunesse<\/a>,
Bi:POLE<\/a>,
Dark Euphoria<\/a>,
Parall\u00e8le – Festival international des pratiques \u00e9mergentes<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Partners associated with the platform: <\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Aix-Marseille Universit\u00e9 \/ Institut NeuroMarseille<\/a>,
Arts Vivants Aix<\/a>,\u00a0<\/a>
Saint-Ex<\/a> – Culture Num\u00e9rique – Reims<\/a>,
Hexagone<\/a>,
N\u00e9mo – Biennale internationale des arts num\u00e9riques de la r\u00e9gion \u00cele-de-France<\/a>,
Diversion Cinema<\/a>,
F\u00eate des Lumi\u00e8res de Lyon<\/a>,
]Interstice[<\/a>,
Oblique\/s\u00a0– Arts & Cultures Num\u00e9riques Normandie<\/a>,<\/a>
PXN<\/a> Stereolux<\/a>,
la Ga\u00eet\u00e9 Lyrique,
R\u00e9seau HACNUM<\/a>,\u00a0
Association Electroni[k]<\/a> – Festival Maintenant<\/a>
Centre Wallonie Bruxelles,
<\/a>C-LAB<\/a>,
Elektra<\/a>,<\/a>
Festival Sonica<\/a>,<\/a>
LEV Festival<\/a>,\u00a0
iMAL<\/a>,
C\u00e9sar\u00e9, Centre national de cr\u00e9ation musicale<\/a><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

In 2022, CHRONIQUES creations was :<\/h4>\n\n\n\n
\n
\n
16<\/span><\/div>\n\n\n\n

<\/meta>16 creations supported<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

\n
41<\/span><\/div>\n\n\n\n

<\/meta>41 partners<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

\n
170<\/span><\/div>\n\n\n\n

170,000 euros of production funds<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div>\n\n
\n
\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n
\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

the plateform The CHRONIQUES CREATIONS platform brings together operators from various fields of culture (visual arts, performing arts, music, audiovisual, […]<\/p>\n","protected":false},"author":3,"featured_media":6850,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/pages\/9840"}],"collection":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/comments?post=9840"}],"version-history":[{"count":6,"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/pages\/9840\/revisions"}],"predecessor-version":[{"id":25968,"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/pages\/9840\/revisions\/25968"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/media\/6850"}],"wp:attachment":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/media?parent=9840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}