{"id":8520,"date":"2022-01-13T17:03:24","date_gmt":"2022-01-13T16:03:24","guid":{"rendered":"https:\/\/v1.chroniques.org\/?post_type=oeuvre&#038;p=8520"},"modified":"2022-10-04T15:34:03","modified_gmt":"2022-10-04T13:34:03","slug":"the-lights-which-can-be-heard","status":"publish","type":"oeuvre","link":"https:\/\/v1.chroniques.org\/en\/oeuvre\/the-lights-which-can-be-heard\/","title":{"rendered":"The lights which can be heard"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong><strong>THE LIGHTS WHICH CAN BE HEARD<\/strong>\u00a0\u2013 LE DERNIER SON DES AURORES<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">S\u00c9BASTIEN ROBERT<\/h2>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation and visual art<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong><em><strong><em>The Lights Which Can Be Heard<\/em>\u00a0<em>\u2013 Le dernier son des aurores<\/em><\/strong><\/em> is a research and creation project about the sound of the aurora borealis, which has long been witnessed by various indigenous communities in the Arctic. Despite the many accounts, the Western scientific community denied their existence for decades until some hypotheses about their origin began to surface in the 1950s, but are still debated today.\u00a0<\/strong><\/p>\n\n\n\n<p>Some believe that the natural VLF (Very Low Frequency) radio waves produced by the aurora borealis can be perceived in the observer\/listener&#8217;s environment. Some natural elements (minerals or crystals) would act as receivers and transform the radio waves (electromagnetic) into the audible spectrum (acoustic). Without rejecting any hypothesis, it is this last one that caught S\u00e9bastien&#8217;s attention for his project.&nbsp;<\/p>\n\n\n\n<p>Despite successful recordings following a three-week residence on And\u00f8ya in Norway, S\u00e9bastien realised that the VLF waves emitted by the aurora are increasingly difficult to perceive because they are more and more drowned out by artificial signals. They are therefore bound to disappear. Inspired by this unique context, and in the continuity of his previous work, S\u00e9bastien is currently developing a body of work around this research, which will allow the audience to perceive the sounds of the aurora borealis while preserving them in light.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"690\" src=\"https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-1024x690.jpg\" alt=\"\" class=\"wp-image-11201\" srcset=\"https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-1024x690.jpg 1024w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-300x202.jpg 300w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-768x517.jpg 768w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-1536x1035.jpg 1536w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-ArcticWave-01-2048x1379.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">And\u00f8ya, Octobre 2021 \u00a9 S\u00e9bastien Robert<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"690\" src=\"https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-1024x690.jpg\" alt=\"\" class=\"wp-image-11204\" srcset=\"https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-1024x690.jpg 1024w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-300x202.jpg 300w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-768x517.jpg 768w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-1536x1035.jpg 1536w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/01\/TLWCBH-02-2048x1379.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Lofoten, February 2022 \u00a9 S\u00e9bastien Robert<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/v1.chroniques.org\/en\/the-lights-which-can-be-heard\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/v1.chroniques.org\/en\/the-lights-which-can-be-heard\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=The+lights+which+can+be+heard&amp;url=https:\/\/v1.chroniques.org\/en\/the-lights-which-can-be-heard\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  clearfix\"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>S\u00e9bastien Robert <sup>(FRA)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"http:\/\/www.linkedin.com\/in\/sebastienrobert1\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"http:\/\/www.instagram.com\/_sebastien_r_\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><li><a href=\"http:\/\/www.vimeo.com\/sebastienrobert\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-vimeo\"><\/i><\/a><\/li><li><a href=\"http:\/\/www.soundcloud.com\/sebastienrobert\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-soundcloud\"><\/i><\/a><\/li><\/ul><\/div><div class=\"artisteContent\"><p><span style=\"font-weight: 300;\">S\u00e9bastien Robert is an interdisciplinary artist and researcher who develops a practice at the intersection of visual and sound art, technology, science and ethnography. Most of his projects revolve around a research cycle, <\/span><i><span style=\"font-weight: 300;\">You\u2019re no Bird of Paradise<\/span><\/i><span style=\"font-weight: 300;\">, through which he explores disappearing Indigenous sonic rituals and cosmologies. <\/span><\/p>\n<p><span style=\"font-weight: 300;\">Beyond simple documentation, yet not an ambitious ethnographic archiving project, he aims to translate these immaterial resources into long-lasting tangible works of art made of materials that echo the traditions of the communities encountered and the geo-specificities of the territories explored. S\u00e9bastien graduated with honours from the <\/span><i><span style=\"font-weight: 300;\">ArtScience Master<\/span><\/i><span style=\"font-weight: 300;\"> between the <\/span><i><span style=\"font-weight: 300;\">KABK &#8211; Royal Academy of Art<\/span><\/i><span style=\"font-weight: 300;\">and <\/span><i><span style=\"font-weight: 300;\">KC &#8211; Royal Conservatory <\/span><\/i><span style=\"font-weight: 300;\">of<\/span> <span style=\"font-weight: 300;\">The Hague in 2020, where he now lives and works.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Originally commissioned by STRP Festival<\/p>\n\n\n\n<p>Creation realized in coproduction with the platform <strong>CHRONIQUES CREATIONS<\/strong>, supported by the DRAC Provence-Alpes-C\u00f4te d&#8217;Azur, the R\u00e9gion Sud Provence-Alpes-C\u00f4te d&#8217;Azur, the City of Marseille and the French Institute in Paris<\/p>\n\n\n\n<p>With the financial support of Stroom Den Haag, DICR\u00e9AM, Fonds [SCAN] Auvergne-Rh\u00f4ne-Alpes, and Stimuleringsfonds Creatieve Industrie<\/p>\n\n\n\n<p>With the intellectual support of The Royal Library of the Netherlands, The Troms\u00f8 Geophysical Observatory, Fiona Armery (University of Cambridge), Rob Stammes (Polarlightcenter), Harald Gaski (University of Troms\u00f8 ), Hans Ragnar Mathisen and Matti Aikio<\/p>\n\n\n\n<p>With the technical support of Lucien Nicou (design + production), Leandros Ntolas (light + optics), Pim Kerssemakers (metalwork), Mark IJzerman (TouchDesigner) and Zois Loumakis (hardware + software)<\/p>\n\n\n\n<p>Under the artistic supervision of Jean-Emmanuel Rosnet<\/p>\n\n\n\n<p>Initiated during the Arctic Wave residency (And\u00f8ya, NO)<\/p>\n\n\n\n<p><meta charset=\"utf-8\">Partner: Les M\u00e9janes &#8211; Biblioth\u00e8que et Archives Michel Vovelle<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":11201,"menu_order":0,"template":"","edition":[66,94],"type_oeuvre":[25,71,95],"_links":{"self":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/oeuvre\/8520"}],"collection":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/media\/11201"}],"wp:attachment":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/media?parent=8520"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/edition?post=8520"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=8520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}