{"id":12223,"date":"2022-09-06T11:15:52","date_gmt":"2022-09-06T09:15:52","guid":{"rendered":"https:\/\/v1.chroniques.org\/?post_type=oeuvre&#038;p=12223"},"modified":"2022-09-07T12:36:22","modified_gmt":"2022-09-07T10:36:22","slug":"imagine-there-was-no-roof","status":"publish","type":"oeuvre","link":"https:\/\/v1.chroniques.org\/en\/oeuvre\/imagine-there-was-no-roof\/","title":{"rendered":"Imagine there was no roof"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>Imagine there was no roof<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><strong>david helbich<\/strong><\/h2>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Intro-active sound meditations<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong><em>Imagine there was no roof<\/em> invites visitors to brief sound meditations while standing on the rugs. <\/strong><\/p>\n\n\n\n<p>The meditations emphasize imaginative listening by evoking inner sounds. Imagining, as much as remembering and anticipating, are all <em>listening spaces<\/em> adjacent to acoustics. <\/p>\n\n\n\n<p>The series is taken from the artist\u2019s installation concept <strong><em>House of Ear<\/em><\/strong>, in which he creates spatial installations from an ever-growing growing collection of pieces and formats. Each of which plays in its own way on the imaginary and concrete spaces of listening and hearing.&nbsp;<\/p>\n\n\n\n<p>For this, the experience of sound is regarded as that of a movement: a back and forth, between the inner and outer spaces of our body, from the opposite wall, through our spiral shaped ear directly into the brain, and into the last corners of thought. And back.<\/p>\n\n\n\n<p>While we hear sound, while sound swirls around us, we think it too. Somewhat analytically, yet also quite creatively: we think our hearing into existence. This physical and cognitive intrinsic element of the acoustic experience is the departure point and the source of the aesthetic results in the works.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/09\/IMG_4897.web_-1024x683.jpg\" alt=\"\" class=\"wp-image-12224\" srcset=\"https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/09\/IMG_4897.web_-1024x683.jpg 1024w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/09\/IMG_4897.web_-300x200.jpg 300w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/09\/IMG_4897.web_-768x512.jpg 768w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/09\/IMG_4897.web_.jpg 1224w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 David Helbich<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/09\/IMG_4932.web_-1024x683.jpg\" alt=\"\" class=\"wp-image-12226\" srcset=\"https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/09\/IMG_4932.web_-1024x683.jpg 1024w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/09\/IMG_4932.web_-300x200.jpg 300w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/09\/IMG_4932.web_-768x512.jpg 768w, https:\/\/v1.chroniques.org\/wp-content\/uploads\/2022\/09\/IMG_4932.web_.jpg 1224w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\">\u00a9 David Helbich<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\"><meta charset=\"utf-8\">Partagez cet \u00e9v\u00e9nement sur les r\u00e9seaux sociaux<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/v1.chroniques.org\/en\/imagine-there-was-no-roof\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/v1.chroniques.org\/en\/imagine-there-was-no-roof\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Imagine+there+was+no+roof&amp;url=https:\/\/v1.chroniques.org\/en\/imagine-there-was-no-roof\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artistes<\/h4>\n\n\n<div class=\"artisteBlock  clearfix\"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>David Helbich <sup>(BE)<\/sup><\/h2><div class=\"artistContactLine\"><a href=\"https:\/\/www.davidhelbich.be\" target=\"_blank\">www.davidhelbich.be<\/a><\/div><div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">Born in 1973 in Berlin\/Bremen (DE), lives and works in Brussels (BE) since 2002.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">David Helbich is a composer, sound-, installation- and performance artist, as well as a photographer and teacher, who creates a diverse range of experimental and conceptual works for the stage, paper and online media and in public space. His trajectory moves between representational and interactive works, pieces and interventions, between conceptual work and actions. Many of his works address concrete physical and social experiences. A recurrent interest is the direct work with a self-performing audience.<\/span><\/p>\n<p><br style=\"font-weight: 400;\" \/><br style=\"font-weight: 400;\" \/><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\"><meta charset=\"utf-8\">Cr\u00e9dits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>Production CHRONIQUES. <\/p>\n\n\n\n<p>Other versions have been presented at the D Museum\/Daelim Cultural Foundation, Seoul (Soundmuseum, 2020-21) and Basis, Frankfurt (We<br>can be Heroes, 2021).<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\"><\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\"><\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","edition":[94],"type_oeuvre":[71],"_links":{"self":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/oeuvre\/12223"}],"collection":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:attachment":[{"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/media?parent=12223"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/edition?post=12223"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/v1.chroniques.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=12223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}